Minigiogali Wall Sconce #21805
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description
The Minigiogali Wall Sconce, designed by Angelo Mangiarotti, is an elegant lighting fixture that modernizes the classic Venetian chandelier. Ideal for spaces needing extra light in limited areas, it offers a versatile, captivating solution. Part of the Minigiogali collection, the sconce features a modular glass system with handcrafted crystal hooks, creating graceful, cascading light structures full of fluidity and sophistication.
More than just a functional lighting solution, the sconce serves as a striking decorative piece, enhancing any room's atmosphere. Its central light source casts a soft, ambient glow, creating a warm, welcoming environment. Meticulously crafted in Italy, the Minigiogali Wall Sconce adds innovation and style to spaces like hallways, diningrooms, or bedrooms.
- country of origin:Italy
- Assembly Required:Yes
- Shipping Charges:free
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details
- Designed by Angelo Mangiarotti
- From Vistosi
- Part of the Minigiogali collection
- Avaiable in two sizes
- Offered in an array of glass finishes
- Comes with two metal options for the frame
- Bulb: E12 1×60W or E26 2×60W
- Dimmable
- Certified for electro-technical safety regulations of the US and Canada
- Manufactured in Italy
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dimensions
- 14"W × 7"D × 14"H
- 20"W × 9"D × 9"H
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design
designed by
Angelo MangiarottiIn 1948, Angelo Mangiarotti obtained a degree in architecture from the Politecnico di Milano. In 1948 he participated on the preparation of the VIII Triennale di Milano, a collaboration that he repeated in 1951 for the IX edition of the exhibition. After a brief but intense experience in the United States (in 1953 and 1954), Mangiarotti returned to his home city to open his own design studio with fellow architect Bruno Morassutti in 1955. Their aim was to create industrial design products and oversee the redevelopment, restoration and construction of residential and public buildings. Their collaboration lasted a relatively short time, ending in 1960. During his stay in the U.S., Mangiarotti came into contact with important names on the international scene such as Frank Lloyd Wright, Walter Gropius, Mies van der Rohe and Konrad Wachsmann. In 1957 he participated in the construction of the Feltre district in Milan. Two years later he produced the first version of one of his most famous industrial design objects: the “59” chair. Over the years, his activity as a designer continued while he progressed as an architect. Throughout the years he kept teaching while still designing. His works for the Italian company Vistosi are also famous, such as the Giogali chandelier designed in 1967, one of the artist’s most memorable works. He published a book called “In nome dell’architettura” in 1987.manufactured by
Vistosi LightingThe story of Vistosi dates back centuries, starting in 1585. Stemming from the Gazzabin family name, masters of a special kind of glasswork titled Murano, titled after its same-name birthplace in Italy, this renowned company crafts light fixtures for both commercial and residential spaces, shining, shimmering, and statement-making. From chandeliers to wall sconces to table and floor lamps, each piece is unique, inspired, and made by some of the most professional glass artisans with revolutionary glass techniques.
Although they can tell a story so ancient, their products today are nothing short of modern. In the late 1980s, entrepreneur Giancarlo Moretti took over the business from his father, altering Vistosi into the company it is today. With one of the longest-owned glass mills in Europe, an in-house research and development department, and a network of established and qualified local suppliers, Vistosi 2.0 thrives.
Vistosi boasts over 80 collections and a pervasive reputation of success all over the world, seeing implementation on almost every continent, cementing their indomitable presence as a leader in not just functional products but design objects. World-class brands and clients rely on Vistosi to make their spaces extremely valuable. The several awards to their name, such as the Red Dot, Good Design, and German Design, prove their preciousness.
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